Accommodating guideline on Pro Sonic Maximizer
Author: DJEquip // Category: Home Recording Studio Equipment
My current setup:Music Man 4-string > Demeter OptoComp > SansAmp Bass Driver DI > MXR M288 Octave > BBE Sonic Stomp (or sometimes run the Stomp in amp’s effects loop) > Mesa/Boogie Basis M2000 > Ampeg SVT50DL “Isovent” 2×15+2×10 cab.Already a pretty sweet rig before adding this BBE box, but there was still a certain something missing. There was still some mud in my tone that was still there no matter how clean or how warm I set things up. There had always been the sensation of certain frequencies that just weren’t well reproduced. This partially kept me from punching through the rest of a band’s sound enough to be heard clearly, unless I turned up so much that I was just generating too much of a rumble overall. And yes, I first experimented a ton with equalization and impedance matching.The Sonic Stomp provided the finishing touch I was looking for. I no longer get that sensation of certain frequencies fighting with each other and canceling out. Everything is clearly voiced and
I am going to send my Wii to Nintendo to get it repaired, and I am worried they will erase my Pro Sonic Maximizer internal memory. I am trying to put it all onto my 2 GB SanDisk but some of the items I can not copy such as Super Smash Bros. Brawl, MLB Power Pros., Mario & Sonic at the Olympic Games. I am wondering if there is any way to get these games onto my SD card so I won’t lose them if my memory is wiped.
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Tags: Amp, Bass Driver, Current, Finishing Touch, Impedance Matching, Keyword, Mesa Boogie, Mud, Music Man, Mxr, Octave, Rig, Sansamp Bass Driver, Sansamp Bass Driver Di, Sensation, Sonic Maximizer, Stomp























September 23rd, 2010 at 4:19 pm
I’ve been using one of these in an equipment rack at home that I use to convert old analog source material: open-reel, 8 track, cassette and records. For those of you under 30, yes, that’s what we called vinyl back in the days before consumer digital audio was available: there were two main categories – LPs: 12″ 33-1/3 RPM, and singles: 7″ 45 RPM. Plus, our parents even had old 10″ 78 RPM shellac records in MONO (that’s MONAURAL, not MONONUCLEOSIS)!
I use this setup to archive and preserve mostly rare, hard to find, or out of print material on record or tape before the medium they’re on degenerates to the point where the signal can no longer be preserved with any quality.
Anyway, I use this along with a compressor/noisegate set as a limiter, and a graphic EQ set to restore lost frequencies and boost amplitude to max before distortion, to dub first to MD (minidisc). After the minidisc dub, I create track breaks, and the opticially dub to CD, after which I load the CD into my computer and rip the tracks to 192K MP3s.
It’s amazing the quality I can obtain from an old well-preserved cassette or record with this in the signal chain. It really does make old songs sound new again. I have dubbed several recordings from well-preserved cassettes and albums, that other than the presence of slight surface/media noise, actually sound better than some of the hasty CD re-releases of old records that have found their way to market.
September 24th, 2010 at 4:27 am
This is nice that the adjustments you make are for both channels. Make set up much faster.
September 24th, 2010 at 4:25 pm
I purchased the Sonic Stomp based on other reviews, here and elsewhere. It delivers as advertised. I have mostly low to medium grade amps and the Sonic Stomp works wonders on these, giving them a clear more defined sound. It is pretty subtle but when you A/B the effect on/off you can clearly hear the difference. I have a Peavey ValveKing 112 tube amp and a Crate RFX65 solid state amp and the Sonic Stomp works well with both. I have Peavey MAX158 practice bass amp and it makes it sound fantastic. I also have a Roland JC-120 which is a higher end amp compared to the previous amps I listed, and the effect is more subtle but still sounds good. My conclusion with the amps that I have tried it on is, the lower grade the amp the more of a difference you’ll hear. The controls are solid and the setup is simple. They recommend putting it at the end of your effects chain or run it threw the effects loop. I have tried it both ways and it works equally well. It comes with a 9 volt battery and an AC adapter. They recommend an adapter but it is quiet either way. I read in some other review that it’s like removing a blanket that’s covering the speaker. That is the best description of what this box will do for your sound. It is built solid, all metal including the knobs, easy no tool battery access, rubber on the bottom of the chassis, and it’s true bypass. I hope this helps somebody.
September 25th, 2010 at 4:37 am
This pedal essentialy balances out the high, mid, and low frequencies yout instrument produces. I also have the software version of this effect on my DAW. This pedal does a great job of giving your instrument a more balanced and full tone. When I switch it on it allmost sounds like someone took a blanket off my amplifier. I highly recomend this pedal for and and all musicians.
September 25th, 2010 at 4:18 pm
this is a MUST HAVE! you need this pedal! it makes my rig sound so much more alive! I play on an ENGL powerball II head with an ESP guitar on active pickups, and for both clean sounds and crunchy deadly distortions it’s the best thing I could have ever bought! I get the best out of harmonics, warm low freqs, delicious high freqs, and the overall improvement is very very noticeable! get it! it’s worth it!
September 26th, 2010 at 4:54 am
Ok, seriously, I’m going to buy like as many of these pedals as Amazon has for $60 each. Then I’m going to turn both knobs all the way clockwise and turn the switch on and put it inside a slightly larger metal black box, on which I’m going to stencil ‘God-like Tone Sculptor’, and in smaller letters, ‘warning: tone may melt faces and crush skulls instantaneously’. The box will have no controls of any kind, just an input and an output. Then I’m going to sell these at boutique music stores for $300 each.*
Only $60 to instantly sound this good? I would certainly pay $300 for this box. BBE is crazy to sell it at this low price!! HURRY AND BUY ONE OF THESE AT THIS PRICE BECAUSE IF YOU DON’T BUY IT RIGHT NOW YOU’LL HAVE TO BUY MY ‘GOD-LIKE TONE SCULPTOR’ FOR $300 TO SOUND THIS GOOD!
*legal told me to say that this is just a joke.
September 26th, 2010 at 4:36 pm
I never really though i needed this until i bought it and heard the difference!
Meeeeeeeeeeen, what a difference in depth!
It totally makes your sound better.. there must be a fairy trapped in every unit of these wonderful products.
September 27th, 2010 at 4:12 am
this bbe is just what I was looking for a long time ago.
price is just very good cause other store have this for
like a [...] more.
I use this for a band not a big one, does very good
job in getting a more clear sound and just boost up the bass,mids,and highs.
very good maximizer.
September 27th, 2010 at 4:46 pm
Works ok – need to try it with the full PA setting – right now can only use part of it due to my mono head not having an easy way to get between the mixer and amp.
September 28th, 2010 at 4:10 am
The BBE 882i, is simply amazing. It has done more for my setup than anything else I have purchased thus far. I use it with both a Korg Triton Studio 88 key keyboard and a Nuemann tlm 103. The BBE 882i is the second thing in my signal chain (right after my preamp) and the effect on my sound is no less than profound. When used with a Korg Triton Studio keyboard the clarity produced is absolutely stunning( not to say it was bad before, when I bought it new about 4 years back,it was $6,000 us and to this day is still one of the best keyboards on the market) but the BBE 882i makes it sound so much better. When the used with the Neumann 103, once again the clarity produced is amazing (I like the sound it produces better than a u87). I have also used it with much cheaper mics such as the Studio Projects C1 and an Audio Technica 2020 with great results. I would suggest this to anyone who owns a recording studio or has a home studio. One word of advice I would suggest setting all the levels on the 882i to level 6 ( this seems to give the best results with large diaphragm condenser microphones and keyboards).
September 28th, 2010 at 4:37 pm
I’ve had my MaxCom for a couples weeks now, and it has performed just as I expected. BBE has many great products and this compressor/exciter is one of my favorites. The built in Sonic Maximizer, a device that BBE is well known for, is a nice addition to the 2-channel compressor. Having the Maximizer built in frees up a space in your rack because you won’t have to buy two seperate units (the Maximizer and a compressor). If you know how a compressor works and what a Sonic Maximizer is, you should have no problem tweaking the settings to where you like them. Currently I have it in my bass rig and I will eventually use it for recording. Check it out, this is a great buy!
September 29th, 2010 at 4:04 am
Love this thing. BBE and compressor all in a single rack space. They could charge double for this thing and it would be worth it. If you have never used a BBE before then you don’t know what you are missing. It is really that good.
I do mobile sound and DJ work and wouldn’t be with out it.
I use to use a separate BBE and Yamaha compressor but this helps to save space and cuts down on cables and pieces in the audio chain.
Would buy another in a heart beat.