28
Dec
Essential fact about Pro Digital Sampler
Author: DJEquip // Category: Home Recording Studio Equipment
I use the korg kp3 with my turntables as an effect tool and it work incredibly well. the synth portion is kinda lackin but i guess thats why there is a kaossilator pro. this can be used to do minor phasers and filters and you can also get pretty crazy with it. also very fun to use the vocoders or just put filters on your voice. i have not used the sampling features as much as i thought i would but they seem to work very well and all the effects can be applied to your samples. i just cant get enought of this thing.
Ok, How should I go from medium format film to pro digital?
I asked about switching from medium format to digital and I think we all agree…. film rules. But I see it coming to the point where I will need to go digital in my studio. I am very old school and love film, but when I go digital, knowing that I need total control for lighting, etc., which camera is going to be best for me?You asked what I primarily shoot in the studio. I also own a hair salon and Pro Digital Sampler have done all my ad work for years, some commercial work here and there…..but I mostly shoot portrait, glamour, fashion stuff. The problem I have at this point is #1. the place in town that used to process my 120 “real” B&W film closed.(I hate to process film) Another place in town will do the c-41 B&W, but I don’t like that film. I have shot 120 color slides & scanned them for billboard work and that was fine, but it’s color. I’ve also had to scan my B&W prints inorder to use them for ad work or billboard work for my salon too. The placed that closed just processed the film…. I shoot all of my contact sheets and prints. Some of the “glamour” (I hate that term) work I do is for gifts to the husband or boyfriend and can sometimes be a bit more private type of work that I really don’t want to send off out of town(and have to wait) That’s why I am thinking about the change. More thoughts and advice please
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I asked about switching from medium format to digital and I think we all agree…. film rules. But I see it coming to the point where I will need to go digital in my studio. I am very old school and love film, but when I go digital, knowing that I need total control for lighting, etc., which camera is going to be best for me?You asked what I primarily shoot in the studio. I also own a hair salon and Pro Digital Sampler have done all my ad work for years, some commercial work here and there…..but I mostly shoot portrait, glamour, fashion stuff. The problem I have at this point is #1. the place in town that used to process my 120 “real” B&W film closed.(I hate to process film) Another place in town will do the c-41 B&W, but I don’t like that film. I have shot 120 color slides & scanned them for billboard work and that was fine, but it’s color. I’ve also had to scan my B&W prints inorder to use them for ad work or billboard work for my salon too. The placed that closed just processed the film…. I shoot all of my contact sheets and prints. Some of the “glamour” (I hate that term) work I do is for gifts to the husband or boyfriend and can sometimes be a bit more private type of work that I really don’t want to send off out of town(and have to wait) That’s why I am thinking about the change. More thoughts and advice please
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Tags: Digital Sampler, Keyword, Korg Kp3, Phasers, Sampling, Turntables, Vocoders





















